Like a growing band of sound engineers the world over, we've switched from April 2007 to using the amazing REAPER software as the heart of our recording studio. Come in and see it for yourself ... but leave all your preconceptions at home and prepare to be amazed.

But that's not all. To make sure that you get the most from this new generation computer software, we use with it only the latest and best computer hardware, complementing software, and studio equipment. This ensures that we can deliver true 24 bit digital recording at its cleanest and warmest.

Our equipment is manufactured and supplied by companies like Alesis, Maudio, Fostex, Terratec, Sony, Yamaha and Tascam - the very best of American, German and Japanese technology.

We get our microphones from Rode (designed and manufactured right here in Australia), Shure, the award winning Studio Projects, AKG, Behringer and Sansom. We chose them not only for their quality, but also because each has its own unique characteristics. So whether you're recording a warm vocal, a bright guitar, a haunting flute or anything else, we've always got the right mike for the job. And just to make sure, they are all 100% compatible with our incredible microphone modelling computer software. Together, we guarantee they can and will give you the exact sound that you want. Every time.

Just to make it easier for you, we use only the finest Sennheiser and Philips headphones when overdubbing. You'll be amazed at just how good you'll sound!

If you want a lifeless sound with no soul, go to a conventionally designed and hermetically sealed recording studio. But if you're more interested in something that sounds natural and warm, come to us. The cathedral ceilings and exposed beams in our studio will provide you with the perfect acoustic environment.

If you need synthesizers, we've got them. For clarity and quality we recommend Edirol from Roland, but we can accommodate other tastes.

As for VST and DX FX ... Graphic Equalizers? Parametric Equalizers? De-Essers? De-Poppers? High Frequency Stimulators? Noise Gates? Compressors? Expanders? Limiters? Echo Chambers? Reverb Units? Chorus? Delay? Aural Exciters? Flange? Wah-Wah? Pitch Shifters? Time Stretchers? Stereo Imagers? Stop!

No need to get confused! We reckon that most likely all you'll need is a tweak of EQ, a touch of Reverb, and some very, very gentle compression. But if you want to experiment, we've got more effects units than you can count!

And by the way, we've been doing it all since 1991. Over the years, we've grown up with the technology. We developed our skills and experience the hard way, when digital audio was the sound that you made when you clicked your fingers. So we ought to know what we're doing by now!